Choose one other post for response. What do you think about the work of others here? Respond to the post by including a quote and the author's name. Be sure to sign your name at the bottom.
Of all the characters depicted in Julius Caesar, I find myself identifying most with Portia, Brutus' wife. Although a rather minor character, her voice is undeniably strong and powerful. She is passionate for those whom she cares for most, yet rather timid when face to face with complicated problems. For example, she sends a servant to the capitol, as opposed to going herself. One of Portia's largest annoyances is being withheld from information, which I can say with uttermost certainty, is also one of my own. She believes that being generalized to just a woman is intolerable, and she longs to be Brutus' confidante. In Act II, Scene I, Portia says to Brutus: "...Is it expected I should know no secrets that appertain to you? Am I yourself but, as it were, in sort or limitation, to keep with you at meals, comfort your bed, and talk to you sometimes? Dwell I you but in the suburbs of your good pleasure? If it be no more, Portia is Brutus' harlot, not his wife." She confesses that she wants to be more than just a wife, she wants to be thought of as one with intellect. I find myself in similar situations; always wanting more information than what is given. Portia and I are both rather curious in nature. Calpernia and I share a similar trait as well, as small as it may be, and that is that we are extremely vulnerable to the deceptions that dreams bring. In Act II, Scene II, she warns Caesar of an omen: "Caesar, I never stood on ceremony, yet now they fright me. There is one within, besides the things that we have heard and seen, recounts most horrid sights seen by the watch. A lioness hath whelped in the streets, and graves have yawned, and yielded up their dead; fierce fiery warriors fought upon the clouds in ranks and squadrons and right form of war, which drizzled blood upon the capitol; the noise of battle hurtled in the air, horses did neigh and dying men did groan, and ghosts did shriek and squeal about the streets. O Caesar, these things are beyond all use, and I do fear them." Claire F., Bell 8 March 12, 2011 12:05 AM
I actually over looked Portia for this assignment. I thought this was a very cleaver character to pick because not many people would have thought of her. I feel like everyone these days are a little like Portia. At least at SCPA. haha. We are all nosey and do not want to be kept out of the loop. We want to know what is going on good or bad just like Portia."Portia and I are both rather curious in nature." I like way you wrote that. It is a certain natural characteristic to have. Even if you deny it you always secretly want to know what it is.
Cassius is gathering and convincing his conspirators to kill the king... just like Scar did to Mufasa in the Lion King...
THIS WAS PERFECT! I was so tempted to take this same song but i couldn't jack her swag. I agree 1000% that this was the song for Act 1. Cassius was Scar and Caesar was Mufasa. If this had a happy ending, this play would have been call, The Lion King (Shakespeare Edition). Nice job Zakiyya!
Kyla's response to Assignment 3 was great. I could tell she put a lot of deep thought into every song she chose and they fit the plot and mood perfectly! As I listened to each of the songs, I felt like I was listening to the soundtrack for a movie of Julius Caesar set in modern times. The wide variety of genres was really interesting and kept me listening to each song. "The Takeover" and "Uprising" for Act 1 gave off a sinister mood that fit really well with the uncertainty and darkness of the beginning of Julius Caesar. My favorite of Kyla's selections is "Backstabbers" by the O'Jays. She wrote:
'This is the most fitting song to this whole play some of the lyrics say " They smile in your face, all the time they wanna take your place, the backstabbers (backstabbers)." This decribes exactly what the conspirator do, they smile in Caesar's face but actually want to kill him out of jealousy, they want to take his place because they Backstabbers in the figure of speech way and in the literal meaning of being backstabbers.'
What she said about how they are backstabbing both literally and figuratively was very interesting, because it's so true. In the end, the play isn't about Caesar being killed, it's about Caesar being deceived out of his power. It's a really great song, and on top of that it is just right for the relationship between Caesar and the conspirators. Overall, she had some awesome choices that truly embody all five acts of Julius Caesar. Plus, I was introduced to some great new music!
Gino said: In my eyes, Brutus was the tragic hero of the play. By definition, a tragic hero is a character who commits an act that eventually leads to their downfall. One could argue that Caesar's stubborn refusal of the omens leading to his death are enough to deem him a tragic hero, but he doesn't appear as much of a central figure in the play as Brutus. Brutus's decision to kill Caesar was his downfall, as it led to several negative consequences and eventually his death. He believed it was the best thing for Rome, which demonstrates how his unflinching sense of honor for his people proved to me more of a flaw than a virtue. After his suicide, Antony claims that he was "the noblest Roman of them all," and he is ordered to have an honorable burial. Both characters demonstrate obvious flaws that led to their demise, but Brutus certainly prooves to be a more significant figure in the story.
Gino, Bell 8
I still disagree. My main argument is that Caesar was killed, Brutus just killed himself. Caesar was a victim of murder, while Brutus was just to cowardly to face the death that Octavius and Antony would have given him. Caesar's downfall was clearly more tragic, he died at the hands of his so-called friends. All Brutus did was ask a servant to hold a sword. While you presented valid points, such as how Brutus's decision to kill Caesar led to all the negative repercussions, even Brutus's own death was beneficial towards him. You can't escape the fact that Caesar was murdered and all Brutus was doing was escaping the consequences that would inevitably come. Bailey, Bell 8
Bailey said, in response to my post for assignment two:
"I still disagree. My main argument is that Caesar was killed, Brutus just killed himself. Caesar was a victim of murder, while Brutus was just to cowardly to face the death that Octavius and Antony would have given him. Caesar's downfall was clearly more tragic, he died at the hands of his so-called friends. All Brutus did was ask a servant to hold a sword. While you presented valid points, such as how Brutus's decision to kill Caesar led to all the negative repercussions, even Brutus's own death was beneficial towards him. You can't escape the fact that Caesar was murdered and all Brutus was doing was escaping the consequences that would inevitably come."
Well, you can disagree all you want, but I still believe Brutus is the tragic hero. Sure, Caesar’s death may have been more ill-fated and undeserving than that of Brutus, but did he really demonstrate that much heroism in the short lifetime he had in the first place? It’s not difficult to see that Brutus’s motives of doing the very best things for Rome are more heroic than Caesar’s unwavering hunger for absolute power and legacy. Yes, his motives do get the best of him and cause him to kill his best friend, but that’s exactly what makes him a tragic hero. This flaw in his character causes him to be looked down upon and eventually commit suicide. Each to his or her own, but I think it’s clear that Brutus does a far better job demonstrating a heroic but flawed personality (after all, that is exactly what a tragic hero is). Not to mention he’s actually alive in more than half of the play.
I personally like to say that I liked bailey's work on the first assignment. She added different points of view of the character portia, which gives the reader at least something to reflect with, unlike a single sentence answer that tells you what character you're like and how it relates to you. Also, I like the variety of words such as affinity and tumultous. I also like the ways she describes all of the characters she isn't like.
I like Joe's sonnet for the third assignment. I thought he capture the feelings that calpurnia might have truly felt. He gave a inside look of any women's feeling not being trust by a man called your husband. Good work Joe.
Christian said: Julius; confident, proud, fearless, and a bit conceited. Though he is very sure of himself he knows how to take criticism and learn from it. The conspirators of the tale don’t come to Caesar and let him know that his “head was getting a little big”, if they had I’m sure he would have taken their suggestions into consideration. They don’t take the time out to talk to Caesar because they didn’t have his best interests at heart, instead, they drug his best friend into it, Brutus, who listened to them instead of going to his good friend and telling him his thoughts. The famous line of the play, “Et tu, Brute, then fall Caesar” suggest that the only reason he is willing to accept this demise is because his trusted friend thought it best. Though Julius Caesar was confident, he was humble. Just like me. He knew what his abilities were but could also admit to his faults.
Christian went into a deeper analysis of Julius Caesar. She saw him from a deeper perspective in which I didn't see, saying Caesar was humble. A point of him dying with acceptance from the line; "Et tu, Brute, then fall Caesar", because he saw even his best friend wanted him dead. Then Christian perfectly compared Julius Caeser to herself very effectively; sharing a characteristic trait of his with hers. More in depth observations of characters can change one perspective on a story. Christian took the time to think about which character relates to her. I do have agree with her perspective of Caesar being humble, too, after reading her character response. Very good perception.
**Anonymous said... I suppose Brutus is the true tragic hero. I wouldn't say he's an idiot for killing the best friend he would ever had, but that's because he wasn't. He was an idealist, and through the information given to him, figured killing Caesar would help Rome thrive. He liked Caesar, but he liked Rome better. To me, Brutus just seems really unlucky. He wouldn't have had his tragic downfall if it weren't for that meddling Antony.
Rebecca, Bell 8.
March 14, 2011 10:38 PM
Response: I agree with your comment specifically, about his ideal that killing Caesar would help Rome, this definatetly made Brutus a "tragic" hero . While trying to save Rome he put his best-friend and his-self, in a deadly situation. Brutus's tragic flaw was listening and letting someone decieve him into turning against his own best-friend for the "common good" thinking he was being a (HERO).Once Brutus killed Caesar he saw Ceasar's ghost(death was to soon come), regretted his decision, and rejected Cassius's ideas. Soon after he died (TRAGIC).
Caesar's sonnet By Reggie Hemphill There was a time where I once ruled the world. It all existed in the palm of my hand. The world I had was like a beautiful pearl, but then that pearl turned to sand. There was a group of passionate traitors, whose methods made them ruthless. What i couldn't believe was that out of these fakers stood my closest friend, Brutus. In the end, I was slain and all of the town ran amuck It's funny, even the traitors' fates were the same. Even they ran into bad luck. The sad how the conspirators thought that when they killed me, the were winning. The real problem is that the conspirators were doomed all from the very beginning. Reginald Hemphill Bell 8 p.s. 5 more days!!!!
I loved the first couple of lines of this sonnet. “It all existed in the palm of my hand… but then that pearl turned to sand.” That line I thought was a creative metaphor for Caesar’s downfall. I also felt the rhythm of the sonnet which was nice considering I dislike reading poetry that is awkward and is hard to catch on to. Overall you did a nice job.
“When it was all said and done , This is all that I could say “Even you, Brutus?” “Et Tu, Brute?”” -Sicily D. Bell 8 I am a complete sucker for clever rhymes and that was clever indeed. Something about this line caught my attention and to get someone to read your writing it has to be appealing so good job. -Brittney G.
" Caesar's sonnet By Reggie Hemphill There was a time where I once ruled the world. It all existed in the palm of my hand. The world I had was like a beautiful pearl, but then that pearl turned to sand. There was a group of passionate traitors, whose methods made them ruthless. What i couldn't believe was that out of these fakers stood my closest friend, Brutus. In the end, I was slain and all of the town ran amuck It's funny, even the traitors' fates were the same. Even they ran into bad luck. That's sad how the conspirators thought that when they killed me, they were winning. The real problem is that the conspirators were doomed all from the very beginning. Reginald Hemphill Bell 8 p.s. 5 more days!!!! "
Raggie, I apreciate this very musch. The Sonnet provides a very good look into Ceasar's thoughts and reactions to what happened, even after his death. I think its cool to here a point of view of a none living character. YOur understanding of Iambic Pantamiter is very good. I especially like the opening line "There was a time when I ruled the world." Because it remeinded me of Viva la VIda's opening line and as you know I LOVE COLDPLAY!!!!!!! Which brings me to my next point. Zakiyaa... THANK YOU!!!
"Scene 4 - "Viva La Vida" by Coldplay
Rome is spiraling out of control as they search for Brutus and Cassius. The common people even go as far as killing Cinna, the poet, not the conspirator. The madness has begun to tear Brutus's and Cassius's "friendship" apart as they start to disagree and insult each other. Brutus was trying to help the people of Rome but unfortunately caused turmoil. So much for "honorable" man." I totally agree and Bow to you for Using COldplay to Decribe Shakespearian Liturature!!!! Thank you. That is all.
Within the first two to three minutes of this song by Saint Saens, it evolves from a simple and quiet tune to a booming melody. (The climax is around 5:00) In Act 1, Scene 3, Cassius is calling a group for a plot to kill the king. The slow beginning of the piece symbolizes the beginning of Julius Caesar, introduction of all the characters, as the acceleration represents our exposure to Cassius' dark ways. * Claire Foster Bell 8
Okay Claire this was just fantastic. I think that this perfectly fits the theme of the first Act. I like how clever the melody is of the beginning, which defiantly fits the character of Cassius. Cassius is a schemer and this song needs to be fits the theme of all schemers. I don’t know, check out my song for Act 5’ I think you will like it.
"Act 2: We Will Rock You - Queen http://www.youtube.com/watch?v=-tJYN-eG1zk When I think of act two, the conversation between Caesar's future murderers really stands out in my mind. They seem to really hate Caesar and would be completely fine with his death. This song reminded me of their feeling of wanting to put Caesar "back in his place.""
I agree very much so with your choice for this song. I used it as well. The conspirators really are about to "rock Caesar"
On assignment #3, Claire uses classical music to relay the emotion of the story. With classical music, the listener is easily enticed by sweet melodies or filled with suspense by fast, furious pieces. I believe that every piece she has chosen fits the act perfectly, giving the story just the right amount of emphasis. Claire says in the Act #4 music, “The lyrical yet discordant phrases of this song illustrate the many characters in distress.” Classical is used for emotion in tales such as this to inform the reader, watcher or listener of things that Claire brings up in her explanation. I think that it was an excellent idea to choose this style of music for the Tragedy of Julius Caesar.
Act 1 – Despicable Me This song represents the conspirators and Cassius. Cassius wants Caesar out of the picture completely. It has nothing to do with honor.
I chose this response for a few reasons. First, the song and movie are awesome. Second, it fits really well. I mean, in the movie, the main character is causing a slew of dastardly deeds, and in the play, that's exactly what the conspirators are planning to do.
There was weeping, cursing, and much responsibility put to me, And at last the funeral day came, The whole of Rome was here to see, As i said Brutus was to blame. -Lydia S.
This entire sonnet by Lydia really shows and tells how Antony felt in the end. It sounds like it could be in the play . This quote lets us know the pressures and responsibilities he had.
Of all the characters depicted in Julius Caesar, I find myself identifying most with Portia, Brutus' wife. Although a rather minor character, her voice is undeniably strong and powerful. She is passionate for those whom she cares for most, yet rather timid when face to face with complicated problems. For example, she sends a servant to the capitol, as opposed to going herself. One of Portia's largest annoyances is being withheld from information, which I can say with uttermost certainty, is also one of my own. She believes that being generalized to just a woman is intolerable, and she longs to be Brutus' confidante. In Act II, Scene I, Portia says to Brutus: "...Is it expected I should know no secrets that appertain to you? Am I yourself but, as it were, in sort or limitation, to keep with you at meals, comfort your bed, and talk to you sometimes? Dwell I you but in the suburbs of your good pleasure? If it be no more, Portia is Brutus' harlot, not his wife." She confesses that she wants to be more than just a wife, she wants to be thought of as one with intellect. I find myself in similar situations; always wanting more information than what is given. Portia and I are both rather curious in nature. Calpernia and I share a similar trait as well, as small as it may be, and that is that we are extremely vulnerable to the deceptions that dreams bring. In Act II, Scene II, she warns Caesar of an omen: "Caesar, I never stood on ceremony, yet now they fright me. There is one within, besides the things that we have heard and seen, recounts most horrid sights seen by the watch. A lioness hath whelped in the streets, and graves have yawned, and yielded up their dead; fierce fiery warriors fought upon the clouds in ranks and squadrons and right form of war, which drizzled blood upon the capitol; the noise of battle hurtled in the air, horses did neigh and dying men did groan, and ghosts did shriek and squeal about the streets. O Caesar, these things are beyond all use, and I do fear them." Claire F., Bell 8
I like the fact that Claire chose Portia for assignment 1. Most people did not widen their views of the characters enough to identify themselves with someone like Portia. In Claire's response, you can really see why she identifies herself with her. Portia is just worried, she's not trying to be harmful or involve herself in any risky business, and i think she overlooked in the characters as someone who is relateable, but Claire does a very nice job of being able to identify herself with someone who was not the most popular in the first assignment.
Act 1: Born in the U.S.A, Bruce Springsteen. When Cassius is talking to Brutus, he repeatedly tells Brutus to be a ROMAN. Bruce Springsteen sings about the hypocrisy of Americans and how proud they are, even when they do horrible things. If Brutus were to kill Caesar so he could be considered a ROMAN, then that aligns with Springsteens opinions of what America did to it's youth during the Vietnam War for the sake of being AMERICAN. http://www.youtube.com/watch?v=uLCwlhspmHQ
Bailey's use of description and parrallelism through depicting Bruce Springteen's song "Born in America" really evokes the emotion of the situation occuring in Act 1 because as Americans we think, "Oh America this. And America That!" And during Act 1 Cassius was telling Brutus this, but in Roman terms, and I personally think this was a good song choice and explanation for the act.
Caesar's sonnet By Reggie Hemphill There was a time where I once ruled the world. It all existed in the palm of my hand. The world I had was like a beautiful pearl, but then that pearl turned to sand. There was a group of passionate traitors, whose methods made them ruthless. What i couldn't believe was that out of these fakers stood my closest friend, Brutus. In the end, I was slain and all of the town ran amuck It's funny, even the traitors' fates were the same. Even they ran into bad luck. The sad how the conspirators thought that when they killed me, the were winning. The real problem is that the conspirators were doomed all from the very beginning. Reginald Hemphill Bell 8 p.s. 5 more days!!!!
I addored the first few of lines of this sonnet. “It all existed in the palm of my hand… but then that pearl turned to sand.” Great use of word play. That line I thought was a very creative metaphor for Caesar’s death. And very easy to catch onto the rythmic play of words overall really good. This was one of my favorites of your assignments (planning ahead for this assignment) -Rusty Hatley 8th bell
Caesar's sonnet By Reggie Hemphill There was a time where I once ruled the world. It all existed in the palm of my hand. The world I had was like a beautiful pearl, but then that pearl turned to sand. There was a group of passionate traitors, whose methods made them ruthless. What i couldn't believe was that out of these fakers stood my closest friend, Brutus. In the end, I was slain and all of the town ran amuck It's funny, even the traitors' fates were the same. Even they ran into bad luck. The sad how the conspirators thought that when they killed me, the were winning. The real problem is that the conspirators were doomed all from the very beginning. Reginald Hemphill Bell 8 p.s. 5 more days!!!!
In response to this well written sonnet, all i have to say is wow. This is a great sonnet that must of taken some serious consideration and thought. "There was a time where I once ruled the world. It all existed in the palm of my hand. The world I had was like a beautiful pearl, but then that pearl turned to sand." I love that this sonnet captures the whole play in only about fifteen lines written beautifully with simile, that in my opinion, gave just the right imagery for the reader.it shows the main point of the play, to show how horribly Caesar was betrayed by his own friends which makes this more important than just the fact that Caesar dies. It looks at from the "how he died,why,and in what name he died : jealousy,greed etc" perspective. As a small side note ,Reading this sonnet reminded me a lot of the song "Viva La Vida" by Coldplay. Even though the plot of the songs are similar, i think the written nature of the sonnet was enough to grasp your attention to the theme and other things that are written to reflect this theme of betrayal. Great job Reggie!!! :D
I have other songs for this act, but I'll talk about them later. This acoustic piece by Slipknot delves into the feelings that Portia describes to Brutus, that she misses him, even though they're "together." "I don't know what to do, I don't know what to do, when she makes me sad. But I won't let this build up inside of me."
Yeah man! Vermillion Pt.2 has the perfect dark and brooding feeling to it. It's a nice acoustic number. I feel that captures Brutus' contemplative mood. The lyrics (specifically in the chorus) represent Portia's feelings very well.
All characters considered, I find myself thinking along similar lines as Portia, Brutus's wife. Portia is worried about current political events and how they will affect her loved ones, but she herself is loathe to involve herself in them, she would rather send a servant to the capitol then leave the safetey of her home. She is "playing it safe", which I tend to do myself in tumultuous situations. Even so, she gets a bit hysteric when sending her servant, she kind of forgets herself, asking her servant to go to the Capitol but giving him no actual erand. This has happened to me, I have my panic attacks. I can relate. However, Portia also has a flair for drama and exaggeration, such as in Act 2 where she states: "If it be no more, Portia is Brutus's harlot, not his wife." Am I only here to keep you company, to sleep with you? Am I not an actual human, with a brain equal to yours? If not, I might as well be your ***, rather than your wife. See, she's exaggerating.
At some points, I do tend to find myself overreacting.
Anyhow, I don't consider myself a snake (Cassius), a coward (Brutus), nor a bigwig (Caesar), but I do find a certain affinity with the minor character of Brutus's wife. Bailey, bell 8
I never would have even considered half the things that Bailey saw in Portia simply because I didn't give her much thought. She captured the uniqueness and power within a minor character and that was exceptional! And not only that... She gave each character in her own perspective in a very relatable way. It wasn't hard to follow and not many people can pull that off. Very good Bailey!
"Another downfall is how he let others talk him into killing his own best friend so he was basically gullible. And letting Cassius make him think it was "ok" and a "good" thing to kill Julius Caesar for Rome is again showing how gullible Brutus is. So I would have to say Brutus is the tragic hero and not Caesar "
Paris
I agree with Paris completely when she says that Brutus was the tragic hero of the play Julius Caesar. Brutus' character flaw was he was to trustworthy of others and this lead directly to his downfall.Paris hit it right on the spot when she said he was "gullible" this key word describes him completely, he trusted Cassius and Antony and honestly thought killing Caesar his best friend would save Rome.
Julius; confident, proud, fearless, and a bit conceited. Though he is very sure of himself he knows how to take criticism and learn from it. The conspirators of the tale don’t come to Caesar and let him know that his “head was getting a little big”, if they had I’m sure he would have taken their suggestions into consideration. They don’t take the time out to talk to Caesar because they didn’t have his best interests at heart, instead, they drug his best friend into it, Brutus, who listened to them instead of going to his good friend and telling him his thoughts. The famous line of the play, “Et tu, Brute, then fall Caesar” suggest that the only reason he is willing to accept this demise is because his trusted friend thought it best. Though Julius Caesar was confident, he was humble. Just like me. He knew what his abilities were but could also admit to his faults. Christian, Bell 8
I really love what Christian wrote for assignment one. She described Caesar’s characteristics and how it related to her personality. Also I liked how she said what Brutus could have done better as a friend. He should have gone straight to Caesar and told him how he felt. If Brutus was really Caesar’s friend he would just talk to him, but instead he listened to the conspirators, which proved that he wasn’t really his friend. Loved it:)
Caesar is the tragic hero. His faults were ego, cowardice, and failure to listen. Caesar was warned time and time again, by Calpurnia and the Soothsayer. He was told to beware the Ides of March. But Caesar would not listen and as a result, met his death. Also, one of Caesar's flaws was his naivety. He seemed so disbelieving that anyone should try to kill him, much less his best friend. I don't think Caesar's flaws made him a bad person, necessarily, but it certainly brought about his downfall. Really, it was not anyone but Caesar who caused him to be murdered. It wasn't Brutus, Cassius, Casca, or Cinna. It was ultimately Caesar's personal flaws that instigated his death.
Lydia S Bell 4
I was looking at the story in a completely different way and hadnt really considered Caesar's part in his own downfall. Lydia's response really helped me start thinking about the story from another angle. She opened my eyes to Caesar's faults, the negatives I had ignored in favor of blaming Brutus.
Josh said in his sonnet "peace out caesar now i have a date with your wife." to me i would like to know the reason for the "date" as calpurnia clearly loved caesar, she did insist and insist for him to stay and that beig said, he does not seem to e the unfaithfull type. But i digress, josh does capture a good point in his sonnet: that caesar was a fool. Anyhow josh did a good comment and i just was puzzled at the date with his wife idea
So far this might be a tad shocking but Cassius is my closest match. He is pretty manipulative, sly, and any other undesirable thing that can be thought of but while reading I felt I had a found a sincere moment between Cassius and Brutus. In Act one scene one Cassius was of course trying to convince Brutus to help him murder Caesar but during this Cassius complemented him on his worthiness. Brutus being who he is turns down the complement so Cassius then replies with: “Therefore, good Brutus, be prepared to hear: And since you know you cannot see yourself So well as by reflection, I, your glass, Will modestly discover to yourself That of yourself which you yet know not of…”
In this quote Cassius is basically saying if you cannot see the good qualities within yourself I will show you; I will be your mirror. I myself tend to give people complements frequently and I enjoy showing people what they cannot see within themselves. Although in my eyes Cassius is the “villain”, I still think that moment of goodness within Cassius was sincere and something I could identify with. - Brittney G. Bell 8
I really like how Brittney noticed the character traits that weren't so obvious in the text. I never really noticed the sincerity Cassius had until Brittney pointed it out. All I seen was the "bad" in his personility and didn't see the little "good" he had. I really liked the quote she pulled out of the text too, it was enough to persuade me that she knew what she was talking about and that Cassius had some type of good in him. I think she did a really good job!
Act 1: "Limelight" by Rush http://www.youtube.com/watch?v=uwXjnVICb3I
The song lyrically describes how being in the limelight (on stage) all the time can be difficult, which mirrors the inner conflicts that Brutus faces as being regarded as a leader.
Act 2: "Rebellion (Lies)" by Aracde Fire http://www.youtube.com/watch?v=j_aFmziaRdU
A lyric in this song that catches my attention is "people say that your dreams / are the only things that save ya." It describes perfectly how Calpurnia's dreams foreshadowed Caesar's later death. Ironically, the dream could've been the "only thing to save him."
Act 3: "No More Mr. Nice Guy" by Alice Cooper http://www.youtube.com/watch?v=S0YrXjeRSoE
In a way, Brutus screams "No More Mr. Nice Guy!" in this act by pulling through his decision to kill his best friend for the good of his people. The proceeding discontent by the people is seen in the song lyric "I got no friends 'cause they read the papers."
Act 4: "Behind Blue Eyes" by The Who http://www.youtube.com/watch?v=BfuWXRZe9yA
I find that this song captures the mood of this act very well. It captures the gloomy feeling that is felt as Brutus and Cassius begin to fight.
Act 5: "War Pigs" by Black Sabbath http://www.youtube.com/watch?v=pZCyOWLrRTE
The title says it all, basically. This is quite a dynamic song that does a good job depicting musically (and lyrically at times) what happens in act 5, from the raging battles to the suicide of Brutus himself.
Gino, Bell 8
Hey Gino, i really enjoyed how you related the acts of Julius Caesar to classic rock songs. I can really see how these songs would fit in with each scene. Do i sense a Julius Caesar rock opera in the future? HAHA.
As I look upon myself laying slain I try to figure out who to blame Who knew that this little game Would end in so much pain
As I look upon myself laying slain I wonder what they have gained Do they give them all the fame Or do they bow their heads in shame
As I look upon myself laying slain A former friend causes my tirade A pang of pain in my brain Is all I have left from this bane
Latasia Bell 8
This is beautifully intense. It’s hard to imagine what could possibly be going through the mind of a man who was just murdered with the help of one of his dearest friends, but as I read this I can feel the emotion, the pure hurt in the heart and body of Ceasar. Wonderful job Latasia.
I thought the sonnet by Josh was very insightful into the soothsayer's mind.
"Julius Caesar, oh how naive Not to trust the signs or warnings So foolish to believe That you will live past thy morning"
This quote sums up everything that the soothsayer is thinking in that moment. He knows that Caesar is being dumb and arrogant for not believing him when he warns him to take caution. In technical terms, I think Josh could've followed iambic pentameter slightly better, but overall the message was spot on.
In my eyes, Brutus was the tragic hero of the play. By definition, a tragic hero is a character who commits an act that eventually leads to their downfall. One could argue that Caesar's stubborn refusal of the omens leading to his death are enough to deem him a tragic hero, but he doesn't appear as much of a central figure in the play as Brutus. Brutus's decision to kill Caesar was his downfall, as it led to several negative consequences and eventually his death. He believed it was the best thing for Rome, which demonstrates how his unflinching sense of honor for his people proved to me more of a flaw than a virtue. After his suicide, Antony claims that he was "the noblest Roman of them all," and he is ordered to have an honorable burial. Both characters demonstrate obvious flaws that led to their demise, but Brutus certainly proves to be a more significant figure in the story.(Ginos quote)
I agree with Gino when he says Brutus is the tragic hero. I myself picked Brutus to be the tragic hero also. I really like how Gino provided the definition of a tragic hero and explained what Brutus did to be titled an "Tragic Hero". Like Brutus' decision he made to kill Caesar was his downfall and did lead to other suffering consequences for Brutus. So I would agree with Gino when he says Brutus is the tragic hero. Nice job Gino
Once crowned with glory and fame The blood of a cherished man now spilt Must one kill to survive this life, this game? Red, his nobility stains our memories upon his back our dreams were built! Shall those who took such a precious man go unpunished? Free to live when they took that privilege from another? Like a child with no bread, Rome without Caesar is famished Stand with me to avenge this great name if you consider yourself a brother If one noble man must go, all must Justice will be served, in that you can trust
Christian, Bell 8
I personally like the Sonnet that Christian wrote from Antony's perspective because the point of view really pulls the reader in to see where Antony is coming from and all the similies and metaphors make the sonnet more whole I especially like the line that goes "...Like a child with no bread, Rome without Caesar is famished..." this just puts such a visual in peoples mind and is a great sonnet coming from the perspective of a true best friend of a man who died of absolute betrayal....good job Christian.
Ashley's response to the tragic hero prompt : I think that Caeser was the tragic hero...I think this because, all poor Caeser was trying to do was run Rome, he meant no harm to anyone. But of course we have our power hungry characters (Cassius, conspirators, Brutus.) Who would evidently want what Caeser had which was to rule. Cassius, knowing everyone loved Brutus(Caesers best friend) used him in his plot to kill poor Caeser, who thought he was doing just fine in what he was doing, but no Brutus lets Cassius in his ear for one second then BAM!"Maybe Cassius is right...maybe Caeser doesn't know what he's doing after all." Then Brutus being under the "spell" of Cassius goes and stabs his best friend in the back...literally. And this tragic scenario and death of Caeser therefor in my eyes makes Caeser the tragic hero.
Personally , I disagree with Ashley because Caeser did not cause his own downfall. He was MURDERED, he did not know he would be killed. But Brutus knew. Caeser was just a king who thought of himself as better than everyone else, but Brutus was a murderer and knew he had it cut out for him. Once everyone figured him out, he knew the ones he convinced to kill Caeser would come after him.
To Gino: You say that Brutus's flaw was more obvious, but unlike Brutus, Caesar had many flaws. There were numerous times he could have saved himself, yet he didn't. The soothsayer warned him of the Ides of March, he ignored it. Calpurnia told him to stay home, he ignored that too. While Caesar was a less likable or sympathetic character, his downfall was much more tragic. I see nothing tragic in a committing a suicide to escape your enemies, but there is a tragedy in being murdered by your friends. *Bailey Leo
Act 1: Born in the U.S.A, Bruce Springsteen. When Cassius is talking to Brutus, he repeatedly tells Brutus to be a ROMAN. Bruce Springsteen sings about the hypocrisy of Americans and how proud they are, even when they do horrible things. If Brutus were to kill Caesar so he could be considered a ROMAN, then that aligns with Springsteens opinions of what America did to it's youth during the Vietnam War for the sake of being AMERICAN. http://www.youtube.com/watch?v=uLCwlhspmHQ -Bailey Leo.
At first when I saw this as the song for act 1, I was thinking what the hell does this have to do with anything? But after I read the description of why Bailey chose this song, it makes a lot of sense, and I think it was a quirky, yet appropriate song choice.
I was enthralled by Jade's interpreatation of Julius Caesar through classical music. She is knowledgable enough of classical repitoire that she could flawlessly connect each act of the play with a beautiful classical song. I loved the idea of connecting classical music to the play (I did it as well) because I feel that it is unifying. Whether or not you like rock, rap, country, indie, jazz, or any other genre, you can hear the immaculate harmonies in classical music. I feel that lyrics, at times, get in the way of what should be pure. I was thrilled to see that Jade had the same mindset. My favorite choice of Jade's was the Elgar, which is one of my favorite concerto's as well. The tension between Portia and Brutus is clear in Act 2, and the cello's fierce opening chords exemplify their uneasiness.
Act 1: "Limelight" by Rush http://www.youtube.com/watch?v=uwXjnVICb3I
The song lyrically describes how being in the limelight (on stage) all the time can be difficult, which mirrors the inner conflicts that Brutus faces as being regarded as a leader.
Act 2: "Rebellion (Lies)" by Aracde Fire http://www.youtube.com/watch?v=j_aFmziaRdU
A lyric in this song that catches my attention is "people say that your dreams / are the only things that save ya." It describes perfectly how Calpurnia's dreams foreshadowed Caesar's later death. Ironically, the dream could've been the "only thing to save him."
Act 3: "No More Mr. Nice Guy" by Alice Cooper http://www.youtube.com/watch?v=S0YrXjeRSoE
In a way, Brutus screams "No More Mr. Nice Guy!" in this act by pulling through his decision to kill his best friend for the good of his people. The proceeding discontent by the people is seen in the song lyric "I got no friends 'cause they read the papers."
Act 4: "Behind Blue Eyes" by The Who http://www.youtube.com/watch?v=BfuWXRZe9yA
I find that this song captures the mood of this act very well. It captures the gloomy feeling that is felt as Brutus and Cassius begin to fight.
Act 5: "War Pigs" by Black Sabbath http://www.youtube.com/watch?v=pZCyOWLrRTE
The title says it all, basically. This is quite a dynamic song that does a good job depicting musically (and lyrically at times) what happens in act 5, from the raging battles to the suicide of Brutus himself.
Gino, Bell 8
I think Gino did a great job capturing the moods of each act with these song choices. Well done Gino.
How exactly do you comment directly on someone else's comment? Could I just copy/paste someone's post here and just put my comments on it?
ReplyDeleteGino, bell 8
Claire's Comment for Assignment 1
ReplyDeleteOf all the characters depicted in Julius Caesar, I find myself identifying most with Portia, Brutus' wife. Although a rather minor character, her voice is undeniably strong and powerful. She is passionate for those whom she cares for most, yet rather timid when face to face with complicated problems. For example, she sends a servant to the capitol, as opposed to going herself. One of Portia's largest annoyances is being withheld from information, which I can say with uttermost certainty, is also one of my own. She believes that being generalized to just a woman is intolerable, and she longs to be Brutus' confidante. In Act II, Scene I, Portia says to Brutus: "...Is it expected I should know no secrets that appertain to you? Am I yourself but, as it were, in sort or limitation, to keep with you at meals, comfort your bed, and talk to you sometimes? Dwell I you but in the suburbs of your good pleasure? If it be no more, Portia is Brutus' harlot, not his wife." She confesses that she wants to be more than just a wife, she wants to be thought of as one with intellect. I find myself in similar situations; always wanting more information than what is given. Portia and I are both rather curious in nature.
Calpernia and I share a similar trait as well, as small as it may be, and that is that we are extremely vulnerable to the deceptions that dreams bring. In Act II, Scene II, she warns Caesar of an omen: "Caesar, I never stood on ceremony, yet now they fright me. There is one within, besides the things that we have heard and seen, recounts most horrid sights seen by the watch. A lioness hath whelped in the streets, and graves have yawned, and yielded up their dead; fierce fiery warriors fought upon the clouds in ranks and squadrons and right form of war, which drizzled blood upon the capitol; the noise of battle hurtled in the air, horses did neigh and dying men did groan, and ghosts did shriek and squeal about the streets. O Caesar, these things are beyond all use, and I do fear them."
Claire F., Bell 8
March 12, 2011 12:05 AM
I actually over looked Portia for this assignment. I thought this was a very cleaver character to pick because not many people would have thought of her. I feel like everyone these days are a little like Portia. At least at SCPA. haha. We are all nosey and do not want to be kept out of the loop. We want to know what is going on good or bad just like Portia."Portia and I are both rather curious in nature." I like way you wrote that. It is a certain natural characteristic to have. Even if you deny it you always secretly want to know what it is.
Lobke H
Bell 4
Zakiyya wrote:
ReplyDeleteScene 1 -"Be Prepared" from the Lion King
Cassius is gathering and convincing his conspirators to kill the king... just like Scar did to Mufasa in the Lion King...
THIS WAS PERFECT! I was so tempted to take this same song but i couldn't jack her swag. I agree 1000% that this was the song for Act 1. Cassius was Scar and Caesar was Mufasa. If this had a happy ending, this play would have been call, The Lion King (Shakespeare Edition). Nice job Zakiyya!
Kyla's response to Assignment 3 was great. I could tell she put a lot of deep thought into every song she chose and they fit the plot and mood perfectly! As I listened to each of the songs, I felt like I was listening to the soundtrack for a movie of Julius Caesar set in modern times.
ReplyDeleteThe wide variety of genres was really interesting and kept me listening to each song. "The Takeover" and "Uprising" for Act 1 gave off a sinister mood that fit really well with the uncertainty and darkness of the beginning of Julius Caesar. My favorite of Kyla's selections is "Backstabbers" by the O'Jays. She wrote:
'This is the most fitting song to this whole play some of the lyrics say " They smile in your face, all the time they wanna take your place, the backstabbers (backstabbers)." This decribes exactly what the conspirator do, they smile in Caesar's face but actually want to kill him out of jealousy, they want to take his place because they Backstabbers in the figure of speech way and in the literal meaning of being backstabbers.'
What she said about how they are backstabbing both literally and figuratively was very interesting, because it's so true. In the end, the play isn't about Caesar being killed, it's about Caesar being deceived out of his power. It's a really great song, and on top of that it is just right for the relationship between Caesar and the conspirators. Overall, she had some awesome choices that truly embody all five acts of Julius Caesar. Plus, I was introduced to some great new music!
Lydia S, bell 4
Gino said: In my eyes, Brutus was the tragic hero of the play. By definition, a tragic hero is a character who commits an act that eventually leads to their downfall. One could argue that Caesar's stubborn refusal of the omens leading to his death are enough to deem him a tragic hero, but he doesn't appear as much of a central figure in the play as Brutus. Brutus's decision to kill Caesar was his downfall, as it led to several negative consequences and eventually his death. He believed it was the best thing for Rome, which demonstrates how his unflinching sense of honor for his people proved to me more of a flaw than a virtue. After his suicide, Antony claims that he was "the noblest Roman of them all," and he is ordered to have an honorable burial. Both characters demonstrate obvious flaws that led to their demise, but Brutus certainly prooves to be a more significant figure in the story.
ReplyDeleteGino, Bell 8
I still disagree. My main argument is that Caesar was killed, Brutus just killed himself. Caesar was a victim of murder, while Brutus was just to cowardly to face the death that Octavius and Antony would have given him. Caesar's downfall was clearly more tragic, he died at the hands of his so-called friends. All Brutus did was ask a servant to hold a sword. While you presented valid points, such as how Brutus's decision to kill Caesar led to all the negative repercussions, even Brutus's own death was beneficial towards him. You can't escape the fact that Caesar was murdered and all Brutus was doing was escaping the consequences that would inevitably come.
Bailey, Bell 8
Bailey said, in response to my post for assignment two:
ReplyDelete"I still disagree. My main argument is that Caesar was killed, Brutus just killed himself. Caesar was a victim of murder, while Brutus was just to cowardly to face the death that Octavius and Antony would have given him. Caesar's downfall was clearly more tragic, he died at the hands of his so-called friends. All Brutus did was ask a servant to hold a sword. While you presented valid points, such as how Brutus's decision to kill Caesar led to all the negative repercussions, even Brutus's own death was beneficial towards him. You can't escape the fact that Caesar was murdered and all Brutus was doing was escaping the consequences that would inevitably come."
Well, you can disagree all you want, but I still believe Brutus is the tragic hero. Sure, Caesar’s death may have been more ill-fated and undeserving than that of Brutus, but did he really demonstrate that much heroism in the short lifetime he had in the first place? It’s not difficult to see that Brutus’s motives of doing the very best things for Rome are more heroic than Caesar’s unwavering hunger for absolute power and legacy. Yes, his motives do get the best of him and cause him to kill his best friend, but that’s exactly what makes him a tragic hero. This flaw in his character causes him to be looked down upon and eventually commit suicide. Each to his or her own, but I think it’s clear that Brutus does a far better job demonstrating a heroic but flawed personality (after all, that is exactly what a tragic hero is). Not to mention he’s actually alive in more than half of the play.
Gino, Bell 8
I personally like to say that I liked bailey's work on the first assignment. She added different points of view of the character portia, which gives the reader at least something to reflect with, unlike a single sentence answer that tells you what character you're like and how it relates to you. Also, I like the variety of words such as affinity and tumultous. I also like the ways she describes all of the characters she isn't like.
ReplyDeleteReginald Hemphill
Bell 8
I like Joe's sonnet for the third assignment. I thought he capture the feelings that calpurnia might have truly felt. He gave a inside look of any women's feeling not being trust by a man called your husband. Good work Joe.
ReplyDeleteJosh 8th
Christian said:
ReplyDeleteJulius; confident, proud, fearless, and a bit conceited. Though he is very sure of himself he knows how to take criticism and learn from it. The conspirators of the tale don’t come to Caesar and let him know that his “head was getting a little big”, if they had I’m sure he would have taken their suggestions into consideration. They don’t take the time out to talk to Caesar because they didn’t have his best interests at heart, instead, they drug his best friend into it, Brutus, who listened to them instead of going to his good friend and telling him his thoughts. The famous line of the play, “Et tu, Brute, then fall Caesar” suggest that the only reason he is willing to accept this demise is because his trusted friend thought it best. Though Julius Caesar was confident, he was humble. Just like me. He knew what his abilities were but could also admit to his faults.
Christian went into a deeper analysis of Julius Caesar. She saw him from a deeper perspective in which I didn't see, saying Caesar was humble. A point of him dying with acceptance from the line; "Et tu, Brute, then fall Caesar", because he saw even his best friend wanted him dead. Then Christian perfectly compared Julius Caeser to herself very effectively; sharing a characteristic trait of his with hers. More in depth observations of characters can change one perspective on a story. Christian took the time to think about which character relates to her. I do have agree with her perspective of Caesar being humble, too, after reading her character response. Very good perception.
--Zakiyya
I would have to agree with Zakiyya because it fits scene 1 PERFECTLY!! I feel that the ppl were prepared.!! LOVE IT!!
ReplyDelete**Anonymous said...
ReplyDeleteI suppose Brutus is the true tragic hero. I wouldn't say he's an idiot for killing the best friend he would ever had, but that's because he wasn't. He was an idealist, and through the information given to him, figured killing Caesar would help Rome thrive. He liked Caesar, but he liked Rome better.
To me, Brutus just seems really unlucky. He wouldn't have had his tragic downfall if it weren't for that meddling Antony.
Rebecca, Bell 8.
March 14, 2011 10:38 PM
Response:
I agree with your comment specifically, about his ideal that killing Caesar would help Rome, this definatetly made Brutus a "tragic" hero . While trying to save Rome he put his best-friend and his-self, in a deadly situation. Brutus's tragic flaw was listening and letting someone decieve him into turning against his own best-friend for the "common good" thinking he was being a (HERO).Once Brutus killed Caesar he saw Ceasar's ghost(death was to soon come), regretted his decision, and rejected Cassius's ideas. Soon after he died (TRAGIC).
-Johnay Johnson
Caesar's sonnet
ReplyDeleteBy Reggie Hemphill
There was a time where I once ruled the world.
It all existed in the palm of my hand.
The world I had was like a beautiful pearl,
but then that pearl turned to sand.
There was a group of passionate traitors,
whose methods made them ruthless.
What i couldn't believe was that out of these fakers
stood my closest friend, Brutus.
In the end, I was slain
and all of the town ran amuck
It's funny, even the traitors' fates were the same.
Even they ran into bad luck.
The sad how the conspirators thought that when they killed me, the were winning.
The real problem is that the conspirators were doomed all from the very beginning.
Reginald Hemphill
Bell 8
p.s. 5 more days!!!!
I loved the first couple of lines of this sonnet.
“It all existed in the palm of my hand… but then that pearl turned to sand.”
That line I thought was a creative metaphor for Caesar’s downfall. I also felt the rhythm of the sonnet which was nice considering I dislike reading poetry that is awkward and is hard to catch on to. Overall you did a nice job.
“When it was all said and done , This is all that I could say
“Even you, Brutus?” “Et Tu, Brute?””
-Sicily D. Bell 8
I am a complete sucker for clever rhymes and that was clever indeed. Something about this line caught my attention and to get someone to read your writing it has to be appealing so good job.
-Brittney G.
" Caesar's sonnet
ReplyDeleteBy Reggie Hemphill
There was a time where I once ruled the world.
It all existed in the palm of my hand.
The world I had was like a beautiful pearl,
but then that pearl turned to sand.
There was a group of passionate traitors,
whose methods made them ruthless.
What i couldn't believe was that out of these fakers
stood my closest friend, Brutus.
In the end, I was slain
and all of the town ran amuck
It's funny, even the traitors' fates were the same.
Even they ran into bad luck.
That's sad how the conspirators thought that when they killed me, they were winning.
The real problem is that the conspirators were doomed all from the very beginning.
Reginald Hemphill
Bell 8
p.s. 5 more days!!!! "
Raggie, I apreciate this very musch. The Sonnet provides a very good look into Ceasar's thoughts and reactions to what happened, even after his death. I think its cool to here a point of view of a none living character. YOur understanding of Iambic Pantamiter is very good. I especially like the opening line "There was a time when I ruled the world." Because it remeinded me of Viva la VIda's opening line and as you know I LOVE COLDPLAY!!!!!!! Which brings me to my next point. Zakiyaa... THANK YOU!!!
"Scene 4 - "Viva La Vida" by Coldplay
Rome is spiraling out of control as they search for Brutus and Cassius. The common people even go as far as killing Cinna, the poet, not the conspirator. The madness has begun to tear Brutus's and Cassius's "friendship" apart as they start to disagree and insult each other. Brutus was trying to help the people of Rome but unfortunately caused turmoil. So much for "honorable" man."
I totally agree and Bow to you for Using COldplay to Decribe Shakespearian Liturature!!!! Thank you. That is all.
-Bell 8
Joseph Trentman
Song 1: Act 1:
ReplyDeleteThe Danse Macabre; Camille Saint Saens
http://www.youtube.com/watch?v=YyknBTm_YyM
Within the first two to three minutes of this song by Saint Saens, it evolves from a simple and quiet tune to a booming melody. (The climax is around 5:00) In Act 1, Scene 3, Cassius is calling a group for a plot to kill the king. The slow beginning of the piece symbolizes the beginning of Julius Caesar, introduction of all the characters, as the acceleration represents our exposure to Cassius' dark ways.
* Claire Foster
Bell 8
Okay Claire this was just fantastic. I think that this perfectly fits the theme of the first Act. I like how clever the melody is of the beginning, which defiantly fits the character of Cassius. Cassius is a schemer and this song needs to be fits the theme of all schemers. I don’t know, check out my song for Act 5’ I think you will like it.
Donavon B.
Bell: 8
* Parden all the spelling errors. I had to write this in a rush. My Bad.
ReplyDeleteJoseph Trentman
Jillian Atkinson wrote,
ReplyDelete"Act 2: We Will Rock You - Queen
http://www.youtube.com/watch?v=-tJYN-eG1zk
When I think of act two, the conversation between Caesar's future murderers really stands out in my mind. They seem to really hate Caesar and would be completely fine with his death.
This song reminded me of their feeling of wanting to put Caesar "back in his place.""
I agree very much so with your choice for this song. I used it as well. The conspirators really are about to "rock Caesar"
-Gabe Schear
On assignment #3, Claire uses classical music to relay the emotion of the story. With classical music, the listener is easily enticed by sweet melodies or filled with suspense by fast, furious pieces. I believe that every piece she has chosen fits the act perfectly, giving the story just the right amount of emphasis. Claire says in the Act #4 music, “The lyrical yet discordant phrases of this song illustrate the many characters in distress.” Classical is used for emotion in tales such as this to inform the reader, watcher or listener of things that Claire brings up in her explanation. I think that it was an excellent idea to choose this style of music for the Tragedy of Julius Caesar.
ReplyDeleteDavid K
Bell 8
Warned you I did and ask you I did beg,
ReplyDelete"Do not go to the Senate, stay here with me.
Say you are sick and are in need of bed."
But I was ignored and you turned to leave.
My dreams foretold of a horrific death
My Lord, a death that was your soon to be.
Went you to the Senate, to breathe your last breath
At the hands of men you saw at your feet.
So now you reside with Pluto and his dead
And have left me here alone with this dread.
Original Shakespearian Sonnet by Joseph Trentman
Perspective of Calpurnia; Caesar's Wife
I really liked this sonet that joe wrote because it captures how Calpurnia would have felt at the time. Also it was well written
Trenton bell 8
David K said...
ReplyDeleteAct 1 – Despicable Me
This song represents the conspirators and Cassius. Cassius wants Caesar out of the picture completely. It has nothing to do with honor.
I chose this response for a few reasons. First, the song and movie are awesome. Second, it fits really well. I mean, in the movie, the main character is causing a slew of dastardly deeds, and in the play, that's exactly what the conspirators are planning to do.
Tyler L
Bell 8
There was weeping, cursing, and much responsibility put to me,
ReplyDeleteAnd at last the funeral day came,
The whole of Rome was here to see,
As i said Brutus was to blame.
-Lydia S.
This entire sonnet by Lydia really shows and tells how Antony felt in the end. It sounds like it could be in the play . This quote lets us know the pressures and responsibilities he had.
grace
bell 4
Of all the characters depicted in Julius Caesar, I find myself identifying most with Portia, Brutus' wife. Although a rather minor character, her voice is undeniably strong and powerful. She is passionate for those whom she cares for most, yet rather timid when face to face with complicated problems. For example, she sends a servant to the capitol, as opposed to going herself. One of Portia's largest annoyances is being withheld from information, which I can say with uttermost certainty, is also one of my own. She believes that being generalized to just a woman is intolerable, and she longs to be Brutus' confidante. In Act II, Scene I, Portia says to Brutus: "...Is it expected I should know no secrets that appertain to you? Am I yourself but, as it were, in sort or limitation, to keep with you at meals, comfort your bed, and talk to you sometimes? Dwell I you but in the suburbs of your good pleasure? If it be no more, Portia is Brutus' harlot, not his wife." She confesses that she wants to be more than just a wife, she wants to be thought of as one with intellect. I find myself in similar situations; always wanting more information than what is given. Portia and I are both rather curious in nature.
ReplyDeleteCalpernia and I share a similar trait as well, as small as it may be, and that is that we are extremely vulnerable to the deceptions that dreams bring. In Act II, Scene II, she warns Caesar of an omen: "Caesar, I never stood on ceremony, yet now they fright me. There is one within, besides the things that we have heard and seen, recounts most horrid sights seen by the watch. A lioness hath whelped in the streets, and graves have yawned, and yielded up their dead; fierce fiery warriors fought upon the clouds in ranks and squadrons and right form of war, which drizzled blood upon the capitol; the noise of battle hurtled in the air, horses did neigh and dying men did groan, and ghosts did shriek and squeal about the streets. O Caesar, these things are beyond all use, and I do fear them."
Claire F., Bell 8
I like the fact that Claire chose Portia for assignment 1. Most people did not widen their views of the characters enough to identify themselves with someone like Portia. In Claire's response, you can really see why she identifies herself with her. Portia is just worried, she's not trying to be harmful or involve herself in any risky business, and i think she overlooked in the characters as someone who is relateable, but Claire does a very nice job of being able to identify herself with someone who was not the most popular in the first assignment.
Zak
Bell 8.
Response to comment
ReplyDeleteAct 1: Born in the U.S.A, Bruce Springsteen.
When Cassius is talking to Brutus, he repeatedly tells Brutus to be a ROMAN. Bruce Springsteen sings about the hypocrisy of Americans and how proud they are, even when they do horrible things. If Brutus were to kill Caesar so he could be considered a ROMAN, then that aligns with Springsteens opinions of what America did to it's youth during the Vietnam War for the sake of being AMERICAN.
http://www.youtube.com/watch?v=uLCwlhspmHQ
Bailey's use of description and parrallelism through depicting Bruce Springteen's song "Born in America" really evokes the emotion of the situation occuring in Act 1 because as Americans we think, "Oh America this. And America That!" And during Act 1 Cassius was telling Brutus this, but in Roman terms, and I personally think this was a good song choice and explanation for the act.
David Deutsch
Caesar's sonnet
ReplyDeleteBy Reggie Hemphill
There was a time where I once ruled the world.
It all existed in the palm of my hand.
The world I had was like a beautiful pearl,
but then that pearl turned to sand.
There was a group of passionate traitors,
whose methods made them ruthless.
What i couldn't believe was that out of these fakers
stood my closest friend, Brutus.
In the end, I was slain
and all of the town ran amuck
It's funny, even the traitors' fates were the same.
Even they ran into bad luck.
The sad how the conspirators thought that when they killed me, the were winning.
The real problem is that the conspirators were doomed all from the very beginning.
Reginald Hemphill
Bell 8
p.s. 5 more days!!!!
I addored the first few of lines of this sonnet.
“It all existed in the palm of my hand… but then that pearl turned to sand.”
Great use of word play.
That line I thought was a very creative metaphor for Caesar’s death. And very easy to catch onto the rythmic play of words overall really good. This was one of my favorites of your assignments
(planning ahead for this assignment)
-Rusty Hatley
8th bell
Caesar's sonnet
ReplyDeleteBy Reggie Hemphill
There was a time where I once ruled the world.
It all existed in the palm of my hand.
The world I had was like a beautiful pearl,
but then that pearl turned to sand.
There was a group of passionate traitors,
whose methods made them ruthless.
What i couldn't believe was that out of these fakers
stood my closest friend, Brutus.
In the end, I was slain
and all of the town ran amuck
It's funny, even the traitors' fates were the same.
Even they ran into bad luck.
The sad how the conspirators thought that when they killed me, the were winning.
The real problem is that the conspirators were doomed all from the very beginning.
Reginald Hemphill
Bell 8
p.s. 5 more days!!!!
In response to this well written sonnet, all i have to say is wow. This is a great sonnet that must of taken some serious consideration and thought.
"There was a time where I once ruled the world.
It all existed in the palm of my hand.
The world I had was like a beautiful pearl,
but then that pearl turned to sand." I love that this sonnet captures the whole play in only about fifteen lines written beautifully with simile, that in my opinion, gave just the right imagery for the reader.it shows the main point of the play, to show how horribly Caesar was betrayed by his own friends which makes this more important than just the fact that Caesar dies. It looks at from the "how he died,why,and in what name he died : jealousy,greed etc" perspective. As a small side note ,Reading this sonnet reminded me a lot of the song "Viva La Vida" by Coldplay. Even though the plot of the songs are similar, i think the written nature of the sonnet was enough to grasp your attention to the theme and other things that are written to reflect this theme of betrayal. Great job Reggie!!! :D
Kyla N. Bell 8
Tyler's post from Assingment 3:
ReplyDeleteAct 2- Vermillion Pt.2 by Slipknot
http://www.youtube.com/watch?v=-rY2mOXnti0
I have other songs for this act, but I'll talk about them later. This acoustic piece by Slipknot delves into the feelings that Portia describes to Brutus, that she misses him, even though they're "together."
"I don't know what to do, I don't know what to do, when she makes me sad. But I won't let this build up inside of me."
Yeah man! Vermillion Pt.2 has the perfect dark and brooding feeling to it. It's a nice acoustic number. I feel that captures Brutus' contemplative mood. The lyrics (specifically in the chorus) represent Portia's feelings very well.
Ryan D.
8th Bell
Bailey's post from assignment one:
ReplyDeleteAll characters considered, I find myself thinking along similar lines as Portia, Brutus's wife. Portia is worried about current political events and how they will affect her loved ones, but she herself is loathe to involve herself in them, she would rather send a servant to the capitol then leave the safetey of her home. She is "playing it safe", which I tend to do myself in tumultuous situations. Even so, she gets a bit hysteric when sending her servant, she kind of forgets herself, asking her servant to go to the Capitol but giving him no actual erand. This has happened to me, I have my panic attacks. I can relate.
However, Portia also has a flair for drama and exaggeration, such as in Act 2 where she states:
"If it be no more, Portia is Brutus's harlot, not his wife."
Am I only here to keep you company, to sleep with you? Am I not an actual human, with a brain equal to yours? If not, I might as well be your ***, rather than your wife. See, she's exaggerating.
At some points, I do tend to find myself overreacting.
Anyhow, I don't consider myself a snake (Cassius), a coward (Brutus), nor a bigwig (Caesar), but I do find a certain affinity with the minor character of Brutus's wife.
Bailey, bell 8
I never would have even considered half the things that Bailey saw in Portia simply because I didn't give her much thought. She captured the uniqueness and power within a minor character and that was exceptional! And not only that... She gave each character in her own perspective in a very relatable way. It wasn't hard to follow and not many people can pull that off. Very good Bailey!
Latasia
Bell 8
"Another downfall is how he let others talk him into killing his own best friend so he was basically gullible. And letting Cassius make him think it was "ok" and a "good" thing to kill Julius Caesar for Rome is again showing how gullible Brutus is. So I would have to say Brutus is the tragic hero and not Caesar "
ReplyDeleteParis
I agree with Paris completely when she says that Brutus was the tragic hero of the play Julius Caesar. Brutus' character flaw was he was to trustworthy of others and this lead directly to his downfall.Paris hit it right on the spot when she said he was "gullible" this key word describes him completely, he trusted Cassius and Antony and honestly thought killing Caesar his best friend would save Rome.
Jayla G. bell 8
Julius; confident, proud, fearless, and a bit conceited. Though he is very sure of himself he knows how to take criticism and learn from it. The conspirators of the tale don’t come to Caesar and let him know that his “head was getting a little big”, if they had I’m sure he would have taken their suggestions into consideration. They don’t take the time out to talk to Caesar because they didn’t have his best interests at heart, instead, they drug his best friend into it, Brutus, who listened to them instead of going to his good friend and telling him his thoughts. The famous line of the play, “Et tu, Brute, then fall Caesar” suggest that the only reason he is willing to accept this demise is because his trusted friend thought it best. Though Julius Caesar was confident, he was humble. Just like me. He knew what his abilities were but could also admit to his faults. Christian, Bell 8
ReplyDeleteI really love what Christian wrote for assignment one. She described Caesar’s characteristics and how it related to her personality. Also I liked how she said what Brutus could have done better as a friend. He should have gone straight to Caesar and told him how he felt. If Brutus was really Caesar’s friend he would just talk to him, but instead he listened to the conspirators, which proved that he wasn’t really his friend. Loved it:)
-Jade
Bell 8
Caesar is the tragic hero. His faults were ego, cowardice, and failure to listen. Caesar was warned time and time again, by Calpurnia and the Soothsayer. He was told to beware the Ides of March. But Caesar would not listen and as a result, met his death. Also, one of Caesar's flaws was his naivety. He seemed so disbelieving that anyone should try to kill him, much less his best friend. I don't think Caesar's flaws made him a bad person, necessarily, but it certainly brought about his downfall. Really, it was not anyone but Caesar who caused him to be murdered. It wasn't Brutus, Cassius, Casca, or Cinna. It was ultimately Caesar's personal flaws that instigated his death.
ReplyDeleteLydia S
Bell 4
I was looking at the story in a completely different way and hadnt really considered Caesar's part in his own downfall. Lydia's response really helped me start thinking about the story from another angle. She opened my eyes to Caesar's faults, the negatives I had ignored in favor of blaming Brutus.
Bell 4
Jillian A.
Josh said in his sonnet "peace out caesar now i have a date with your wife." to me i would like to know the reason for the "date" as calpurnia clearly loved caesar, she did insist and insist for him to stay and that beig said, he does not seem to e the unfaithfull type. But i digress, josh does capture a good point in his sonnet: that caesar was a fool. Anyhow josh did a good comment and i just was puzzled at the date with his wife idea
ReplyDelete-Dakota bell 8
So far this might be a tad shocking but Cassius is my closest match. He is pretty manipulative, sly, and any other undesirable thing that can be thought of but while reading I felt I had a found a sincere moment between Cassius and Brutus. In Act one scene one Cassius was of course trying to convince Brutus to help him murder Caesar but during this Cassius complemented him on his worthiness. Brutus being who he is turns down the complement so Cassius then replies with:
ReplyDelete“Therefore, good Brutus, be prepared to hear:
And since you know you cannot see yourself
So well as by reflection, I, your glass,
Will modestly discover to yourself
That of yourself which you yet know not of…”
In this quote Cassius is basically saying if you cannot see the good qualities within yourself I will show you; I will be your mirror. I myself tend to give people complements frequently and I enjoy showing people what they cannot see within themselves. Although in my eyes Cassius is the “villain”, I still think that moment of goodness within Cassius was sincere and something I could identify with.
- Brittney G.
Bell 8
I really like how Brittney noticed the character traits that weren't so obvious in the text. I never really noticed the sincerity Cassius had until Brittney pointed it out. All I seen was the "bad" in his personility and didn't see the little "good" he had. I really liked the quote she pulled out of the text too, it was enough to persuade me that she knew what she was talking about and that Cassius had some type of good in him. I think she did a really good job!
-Kayla Brooks
Bell 8
Act 1: "Limelight" by Rush
ReplyDeletehttp://www.youtube.com/watch?v=uwXjnVICb3I
The song lyrically describes how being in the limelight (on stage) all the time can be difficult, which mirrors the inner conflicts that Brutus faces as being regarded as a leader.
Act 2: "Rebellion (Lies)" by Aracde Fire
http://www.youtube.com/watch?v=j_aFmziaRdU
A lyric in this song that catches my attention is "people say that your dreams / are the only things that save ya." It describes perfectly how Calpurnia's dreams foreshadowed Caesar's later death. Ironically, the dream could've been the "only thing to save him."
Act 3: "No More Mr. Nice Guy" by Alice Cooper
http://www.youtube.com/watch?v=S0YrXjeRSoE
In a way, Brutus screams "No More Mr. Nice Guy!" in this act by pulling through his decision to kill his best friend for the good of his people. The proceeding discontent by the people is seen in the song lyric "I got no friends 'cause they read the papers."
Act 4: "Behind Blue Eyes" by The Who
http://www.youtube.com/watch?v=BfuWXRZe9yA
I find that this song captures the mood of this act very well. It captures the gloomy feeling that is felt as Brutus and Cassius begin to fight.
Act 5: "War Pigs" by Black Sabbath
http://www.youtube.com/watch?v=pZCyOWLrRTE
The title says it all, basically. This is quite a dynamic song that does a good job depicting musically (and lyrically at times) what happens in act 5, from the raging battles to the suicide of Brutus himself.
Gino, Bell 8
Hey Gino, i really enjoyed how you related the acts of Julius Caesar to classic rock songs. I can really see how these songs would fit in with each scene. Do i sense a Julius Caesar rock opera in the future? HAHA.
Ryan Thierauf
Bell 4
Told as the deceased Julius Caesar.
ReplyDeleteAs I look upon myself laying slain
I try to figure out who to blame
Who knew that this little game
Would end in so much pain
As I look upon myself laying slain
I wonder what they have gained
Do they give them all the fame
Or do they bow their heads in shame
As I look upon myself laying slain
A former friend causes my tirade
A pang of pain in my brain
Is all I have left from this bane
Latasia
Bell 8
This is beautifully intense. It’s hard to imagine what could possibly be going through the mind of a man who was just murdered with the help of one of his dearest friends, but as I read this I can feel the emotion, the pure hurt in the heart and body of Ceasar. Wonderful job Latasia.
Christian, Bell 8
I thought the sonnet by Josh was very insightful into the soothsayer's mind.
ReplyDelete"Julius Caesar, oh how naive
Not to trust the signs or warnings
So foolish to believe
That you will live past thy morning"
This quote sums up everything that the soothsayer is thinking in that moment. He knows that Caesar is being dumb and arrogant for not believing him when he warns him to take caution. In technical terms, I think Josh could've followed iambic pentameter slightly better, but overall the message was spot on.
Ellen
Bell 8
In my eyes, Brutus was the tragic hero of the play. By definition, a tragic hero is a character who commits an act that eventually leads to their downfall. One could argue that Caesar's stubborn refusal of the omens leading to his death are enough to deem him a tragic hero, but he doesn't appear as much of a central figure in the play as Brutus. Brutus's decision to kill Caesar was his downfall, as it led to several negative consequences and eventually his death. He believed it was the best thing for Rome, which demonstrates how his unflinching sense of honor for his people proved to me more of a flaw than a virtue. After his suicide, Antony claims that he was "the noblest Roman of them all," and he is ordered to have an honorable burial. Both characters demonstrate obvious flaws that led to their demise, but Brutus certainly proves to be a more significant figure in the story.(Ginos quote)
ReplyDeleteI agree with Gino when he says Brutus is the tragic hero. I myself picked Brutus to be the tragic hero also. I really like how Gino provided the definition of a tragic hero and explained what Brutus did to be titled an "Tragic Hero". Like Brutus' decision he made to kill Caesar was his downfall and did lead to other suffering consequences for Brutus. So I would agree with Gino when he says Brutus is the tragic hero. Nice job Gino
Paris B-L B8
Sonnet: As told by Antony
ReplyDeleteOnce crowned with glory and fame
The blood of a cherished man now spilt
Must one kill to survive this life, this game?
Red, his nobility stains our memories upon his back our dreams were built!
Shall those who took such a precious man go unpunished?
Free to live when they took that privilege from another?
Like a child with no bread, Rome without Caesar is famished
Stand with me to avenge this great name if you consider yourself a brother
If one noble man must go, all must
Justice will be served, in that you can trust
Christian, Bell 8
I personally like the Sonnet that Christian wrote from Antony's perspective because the point of view really pulls the reader in to see where Antony is coming from and all the similies and metaphors make the sonnet more whole I especially like the line that goes "...Like a child with no bread, Rome without Caesar is famished..." this just puts such a visual in peoples mind and is a great sonnet coming from the perspective of a true best friend of a man who died of absolute betrayal....good job Christian.
Ashley
Bell4
Ashley's response to the tragic hero prompt :
ReplyDeleteI think that Caeser was the tragic hero...I think this because, all poor Caeser was trying to do was run Rome, he meant no harm to anyone. But of course we have our power hungry characters (Cassius, conspirators, Brutus.) Who would evidently want what Caeser had which was to rule. Cassius, knowing everyone loved Brutus(Caesers best friend) used him in his plot to kill poor Caeser, who thought he was doing just fine in what he was doing, but no Brutus lets Cassius in his ear for one second then BAM!"Maybe Cassius is right...maybe Caeser doesn't know what he's doing after all." Then Brutus being under the "spell" of Cassius goes and stabs his best friend in the back...literally. And this tragic scenario and death of Caeser therefor in my eyes makes Caeser the tragic hero.
Personally , I disagree with Ashley because Caeser did not cause his own downfall. He was MURDERED, he did not know he would be killed. But Brutus knew. Caeser was just a king who thought of himself as better than everyone else, but Brutus was a murderer and knew he had it cut out for him. Once everyone figured him out, he knew the ones he convinced to kill Caeser would come after him.
-Sicily Duffy
To Gino:
ReplyDeleteYou say that Brutus's flaw was more obvious, but unlike Brutus, Caesar had many flaws. There were numerous times he could have saved himself, yet he didn't. The soothsayer warned him of the Ides of March, he ignored it. Calpurnia told him to stay home, he ignored that too. While Caesar was a less likable or sympathetic character, his downfall was much more tragic. I see nothing tragic in a committing a suicide to escape your enemies, but there is a tragedy in being murdered by your friends.
*Bailey Leo
Act 1: Born in the U.S.A, Bruce Springsteen.
ReplyDeleteWhen Cassius is talking to Brutus, he repeatedly tells Brutus to be a ROMAN. Bruce Springsteen sings about the hypocrisy of Americans and how proud they are, even when they do horrible things. If Brutus were to kill Caesar so he could be considered a ROMAN, then that aligns with Springsteens opinions of what America did to it's youth during the Vietnam War for the sake of being AMERICAN.
http://www.youtube.com/watch?v=uLCwlhspmHQ
-Bailey Leo.
At first when I saw this as the song for act 1, I was thinking what the hell does this have to do with anything? But after I read the description of why Bailey chose this song, it makes a lot of sense, and I think it was a quirky, yet appropriate song choice.
To Jade:
ReplyDeleteI was enthralled by Jade's interpreatation of Julius Caesar through classical music. She is knowledgable enough of classical repitoire that she could flawlessly connect each act of the play with a beautiful classical song. I loved the idea of connecting classical music to the play (I did it as well) because I feel that it is unifying. Whether or not you like rock, rap, country, indie, jazz, or any other genre, you can hear the immaculate harmonies in classical music. I feel that lyrics, at times, get in the way of what should be pure. I was thrilled to see that Jade had the same mindset. My favorite choice of Jade's was the Elgar, which is one of my favorite concerto's as well. The tension between Portia and Brutus is clear in Act 2, and the cello's fierce opening chords exemplify their uneasiness.
Thank you for such good portrayals, Jade!
Claire Foster, bell 8
Act 1: "Limelight" by Rush
ReplyDeletehttp://www.youtube.com/watch?v=uwXjnVICb3I
The song lyrically describes how being in the limelight (on stage) all the time can be difficult, which mirrors the inner conflicts that Brutus faces as being regarded as a leader.
Act 2: "Rebellion (Lies)" by Aracde Fire
http://www.youtube.com/watch?v=j_aFmziaRdU
A lyric in this song that catches my attention is "people say that your dreams / are the only things that save ya." It describes perfectly how Calpurnia's dreams foreshadowed Caesar's later death. Ironically, the dream could've been the "only thing to save him."
Act 3: "No More Mr. Nice Guy" by Alice Cooper
http://www.youtube.com/watch?v=S0YrXjeRSoE
In a way, Brutus screams "No More Mr. Nice Guy!" in this act by pulling through his decision to kill his best friend for the good of his people. The proceeding discontent by the people is seen in the song lyric "I got no friends 'cause they read the papers."
Act 4: "Behind Blue Eyes" by The Who
http://www.youtube.com/watch?v=BfuWXRZe9yA
I find that this song captures the mood of this act very well. It captures the gloomy feeling that is felt as Brutus and Cassius begin to fight.
Act 5: "War Pigs" by Black Sabbath
http://www.youtube.com/watch?v=pZCyOWLrRTE
The title says it all, basically. This is quite a dynamic song that does a good job depicting musically (and lyrically at times) what happens in act 5, from the raging battles to the suicide of Brutus himself.
Gino, Bell 8
I think Gino did a great job capturing the moods of each act with these song choices. Well done Gino.
Austin
March 22, 2011 7:58 PM
ReplyDeleteHaha I forgot to sign it.
My b.
-Araya Lambert.